[18] American social critic Camille Paglia locates the "Paul is dead" phenomenon to the Ancient Greek tradition symbolised by Adonis and Antinous, as represented in the cult of rock music's "pretty, long-haired boys who mesmerize both sexes", and she adds: "It's no coincidence that it was Paul McCartney, the 'cutest' and most girlish of the Beatles, who inspired a false rumor that swept the world in 1969 that he was dead." [88] "Paul is dead" has continued to inspire analysis into the 21st century, with published studies by Andru J
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